![]() Depending on the type of work you do, these may not be resources you can spare, in which case the standard profiles on the GH4 should be just fine. V-log, on the other hand, is a low-contrast, low-saturation color space meant to maximize the dynamic range of your recorded image and offer more flexibility for post-production color correction, the downside being that color correction takes time, money, and expertise. The Panasonic GH4 has a few picture profiles (other formulas) to choose from, but all of them are meant to be edited and viewed with little to no color correction. For the purposes of this post, though, we’ll boil it down to this: V-log, and Log color spaces in general, are formulas that determine how your camera records color. If you’d like detailed information on Log imaging, News Shooter has a great article that includes a history of the format and an explanation of how Log profiles can differ from camera to camera. Hopefully, this brief introduction to V-log will help you decide if the GH4 or log profiles, in general, are a good fit for you. This update is a huge step toward making the GH4 a more attractive option for filmmakers who are already familiar with log profiles, but those of you who haven’t worked with log before may be left wondering what the big deal is. With the release of V-log for the GH4, Panasonic must be hoping to regain some of those video customers looking for an affordable 4K option that offers flexibility in post. ![]() Since then, though, the Sony A7S and Sony A7SII have taken over much of that market, offering full-frame sensors, exceptional low-light performance, and higher dynamic range at a similar price point. Back when it was released in April of last year, Panasonic’s GH4 seemed poised to lead the charge of the 4K mirrorless cameras.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |